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Our final entry in the horror movie theme, Nicolas Roeg’s 1973 film, Don’t Look Now, further expands our definition of horror. Plus, what are the implications for labor law in film-making? Is it acceptable to put people’s lives in danger for the sake of art?
Sources
Gomez, Joseph: “Another Look at Nicolas Roeg” at Film Criticism
Palmer, James and Michael Riley: “Seeing, Believing, and ‘Knowing’ in Narrative Film: ‘Don't Look Now’ Revisited” at Literature/Film Quarterly
Wikipedia