This coffee break explores the later works of Philip Glass. We listen to his 2nd Symphony and analyze the layered aspects of his composition, where he relies less on minimalism than broader sounds, using multiple keys. In many cases, his music seems "unresolved," as if it's a perpetual motion machine. Does Glass create a "sonic environment" that a listener can dip in and out off, rather than a presentation piece? Mr. Glass, just what are your intentions?

contact the show at [email protected]