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On the first Chasing Three Hours of 2025, Graig Skartvedt joined Josh to discuss:
* Reflecting on 2024 (2:44)
* His Boston Qualifying time not being enough for 2026 (8:01)
* Burnout with golf leading to running (11:58)
* Using doubt as fuel (17:51)
* Running for others (20:09)
* Getting drawn into the ultra running scene (31:17)
* An injury in 2022 that left him wondering if he’d ever run again (36:51)
* Coaching new runners and advice he gives newer runners (47:37)
* What he’s currently chasing (1:02:58)
And a whole lot more!
Thanks to Fleet Feet Omaha for being the title sponsor of Chasing Three Hours! Stop by one of their two Omaha locations, or Fleet Feet Lincoln, for $15 off your first pair of shoes at regular price.
Like what you hear? Please rate, review, subscribe, and share with a friend.
Read Josh's weekly newsletter at chasingthreehours.com.
Know anyone that would be a great fit for the pod or just want to drop Josh a note? Email [email protected].
Music, production assistance, and sound design: Ian Aeillo
Cover art: Marissa Peterson
On the first Chasing Three Hours of 2025, Graig Skartvedt joined Josh to discuss:
* Reflecting on 2024 (2:44)
* His Boston Qualifying time not being enough for 2026 (8:01)
* Burnout with golf leading to running (11:58)
* Using doubt as fuel (17:51)
* Running for others (20:09)
* Getting drawn into the ultra running scene (31:17)
* An injury in 2022 that left him wondering if he’d ever run again (36:51)
* Coaching new runners and advice he gives newer runners (47:37)
* What he’s currently chasing (1:02:58)
And a whole lot more!
Thanks to Fleet Feet Omaha for being the title sponsor of Chasing Three Hours! Stop by one of their two Omaha locations, or Fleet Feet Lincoln, for $15 off your first pair of shoes at regular price.
Like what you hear? Please rate, review, subscribe, and share with a friend.
Read Josh's weekly newsletter at chasingthreehours.com.
Know anyone that would be a great fit for the pod or just want to drop Josh a note? Email [email protected].
Music, production assistance, and sound design: Ian Aeillo
Cover art: Marissa Peterson