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This week, we're pitting two Tsukamoto films against each other: Nightmare Detective and Nightmare Detective 2. What was the GOAT going for here, and did he pull it off? Which attempt was better and why? Can auteurs succeed in the mainstream, or do pop sensibilities not compute in the mind of the experimental artist?
By J David Osborne & Kelby Losack5
4141 ratings
This week, we're pitting two Tsukamoto films against each other: Nightmare Detective and Nightmare Detective 2. What was the GOAT going for here, and did he pull it off? Which attempt was better and why? Can auteurs succeed in the mainstream, or do pop sensibilities not compute in the mind of the experimental artist?