When Marcus’ PowerJet artwork outside an MRT station was reported to the police and subsequently whitewashed, the internet rallied behind him almost instantly. Much of the outrage was directed at the alleged “Karen” who complained, while others criticised SMRT, with some netizens speculating that the transport operator had been involved in the artwork’s removal. But beyond the controversy lies a bigger question: in a society known for its strict regulations, bureaucracy, and cautious approach to public spaces, can creativity truly thrive, or is Singapore’s art scene constantly fighting for room to exist?