This week my guest is Rachael Tate, a BAFTA award-winning Dialogue & ADR supervisor slash editor whose credits include 1917 (for which she won the BAFTA), upcoming Bond film No Time to Die, The Rhythm Section, All the Money in the World and The Martian. 

We talk about how Rachael got into this line of work, what exactly ADR is and how she works with actors to try and recreate their performance in the studio, why she perceives her job to be more of a craft than a technical role and how she achieves authenticity so that every word or breath you hear in a film, feels like it belongs.