Enjoy this special stand alone episode with Anne Bogart. This is a recorded in-person conversation held in London with the Young Vic and SDCF in January 2025 that is now in podcast form. Anne discusses working in the theatre as a director including delving into her directing practices both as artist and teacher as well as her work through co-founding SITI Company. This conversation picks up after some introductions in the room and encapsulates the interview portion of the event.

 

Bio:

Anne Bogart is a theatre and opera director. She was the Co-Artistic Director of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a Professor at Columbia University where she runs the Graduate Directing Program and is the author of six books: “A Director Prepares,” “The Viewpoints Book,” “And Then, You Act,” “Conversations with Anne,” “What’s the Story” and, most recently, “The Art of Resonance.”  She is the recipient of an Obie Lifetime Achievement Award, a Doris Duke Artist Grant, a USA Fellowship, a Rockefeller Fellowship, and a Guggenheim Fellowship as well as four Honorary Doctorate degrees, from Bard College, the Royal Central School of Speech and Drama, Cornish School of the Arts and Skidmore Colleges.

Recent theater works include Existentialism (La Mama and Talking Band), Eastland (Trinity Theater, Dublin), The Beautiful Lady (La Mama), and Composition as Explanation (Court Theater, Chicago). With SITI, recent productions include A Christmas Carol, Falling and Loving, The Bacchae, The Theater is a Blank Page, Persians, Steel Hammer, A Rite, Café Variations, Trojan Women, American Document, Antigone, Freshwater Under Construction; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds; Cabin Pressure; The Radio Play; Alice’s Adventures; Culture of Desire; Bob; Going, Going, Gone; Small Lives/Big Dreams; The Medium; Noel Coward’s Hay Fever and Private Lives; August Strindberg’s Miss Julie; and Charles Mee’s Orestes. Operas include Bartok’s Bluebeard’s Castle (Boston Lyric Opera), Wagner’s Tristan and Isolde(the National theater of Croatia), Ruder’s The Handmaid’s Tale (Boston Lyric Opera), Verdi’s Macbeth(Glimmerglass), Bellini’s Norma (Washington National Opera and Los Angeles Opera), I Capuleti e i Montecchi (Glimmerglass), Bizet’s Carmen (Glimmerglass), three operas by Deborah Drattell, Nicholas and Alexandra (Los Angeles Opera), Marina: A Captive Spirit (American Opera Projects), and Lilith (New York City Opera) and Brecht/Weill’s Seven Deadly Sins (New York City Opera).