If you know me, you know that a significant chunk of my musical DNA involves the Tragically Hip, one of the single most successful acts to come out of Canada.

Being from Buffalo, their music was on constant rotation — not just in my dad’s car and our stereo but at bars and sporting games around town. I have one of their album covers tattooed on my left thigh. I’ve stopped by some of the venues they played in their early days in Toronto. And I was fortunate enough to see them on their very last tour in 2016, about a year before lead singer and lyricist Gord Downie died of brain cancer. Our family dog, Gordon, is named for him.

The Hip never really broke all that big in the U.S., which was both happenstance and purposeful. They were, in essence, Canada’s band, though anyone who lives or grew up close to the border is more likely to know their songs. Long story short: you simply can’t have a conversation about Canadian musicians without talking about the Tragically Hip.

After Downie died, whoever was running his social media account started a casual mini series in which they’d pull an album out of Downie’s personal record collection. Albums by Bob Dylan, Tom Petty, Joy Division, Bruce Springsteen, Johnny Cash popped up from time to time. And recently I saw one that didn’t surprise me in the slightest: Joni Mitchell’s ‘For the Roses.’

But I’m getting ahead of myself. The exceptionally humble Gord Sinclair, bassist for the Tragically Hip since day one, was kind enough to speak with me about Joni and her influence on the band over the years. This is an interview I’ve been dreaming about for years, a real full circle moment for a music fan from Buffalo like me.

Thanks for listening x

* Allison

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