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Wally Salem is a fan. His passion for the music he loves is unrelenting, he’ll talk non-stop, barely taking a breath as he catalogs details, facts, and anecdotes. His enthusiasm resulted in starting his own record label, The Beautiful Music, inspired he says “By the Beauty of Marina Records, the Pop Genius of Allan McGee’s Creation and Poptones labels, the eccentric Dan Treacy’s Whaam and Dreamworld label, the trailblazing Factory Records, the Pure Pop of Matt’s Sarah and Shinkansen labels, Joe Foster’s diverse musical heritage of Kaleidoscope Sound and Rev-Ola labels, Mike Scott’s the Big Music sound and Chicken Jazz label, Chris Seventeen’s love of music with the What a Wonderful Way To Turn Seventeen label and many other labels such as Tangerine, Swordfish, Summershine, Glass, Postcard, Swamplands, Wagging Dog, Little Teddy, Spin Art, Matinee and Detour to name just a few.”
By Norman BWally Salem is a fan. His passion for the music he loves is unrelenting, he’ll talk non-stop, barely taking a breath as he catalogs details, facts, and anecdotes. His enthusiasm resulted in starting his own record label, The Beautiful Music, inspired he says “By the Beauty of Marina Records, the Pop Genius of Allan McGee’s Creation and Poptones labels, the eccentric Dan Treacy’s Whaam and Dreamworld label, the trailblazing Factory Records, the Pure Pop of Matt’s Sarah and Shinkansen labels, Joe Foster’s diverse musical heritage of Kaleidoscope Sound and Rev-Ola labels, Mike Scott’s the Big Music sound and Chicken Jazz label, Chris Seventeen’s love of music with the What a Wonderful Way To Turn Seventeen label and many other labels such as Tangerine, Swordfish, Summershine, Glass, Postcard, Swamplands, Wagging Dog, Little Teddy, Spin Art, Matinee and Detour to name just a few.”