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The little girl in A Princess of Saxony seems weird at first. She’s got that impossibly high 1500s forehead. The iconic Queen Elizabeth had one too. As did most lady court portraits in those days. That’s because big foreheads were a sign of intelligence and class in the 16th century. This enormous noggin doesn’t quite suit our princess’s vulnerable young face. It also doesn’t take away from the resonant sense that she’s a child, though. That sets this painting apart from others of its day. After all, many 16th century kid portraits look more like an adult with a child body. Sure, this princess has a strange face. But she’s also the real deal.
Learn more with a click through to LadyKflo's art blog.
https://www.ladykflo.com/a-princess-of-saxony-by-lucas-cranach-the-elder/
By LadyKflo5
1313 ratings
The little girl in A Princess of Saxony seems weird at first. She’s got that impossibly high 1500s forehead. The iconic Queen Elizabeth had one too. As did most lady court portraits in those days. That’s because big foreheads were a sign of intelligence and class in the 16th century. This enormous noggin doesn’t quite suit our princess’s vulnerable young face. It also doesn’t take away from the resonant sense that she’s a child, though. That sets this painting apart from others of its day. After all, many 16th century kid portraits look more like an adult with a child body. Sure, this princess has a strange face. But she’s also the real deal.
Learn more with a click through to LadyKflo's art blog.
https://www.ladykflo.com/a-princess-of-saxony-by-lucas-cranach-the-elder/