<p>I’ve talked a lot about the particularities of what a good application should look like and how to find galleries that resonate with your work, and now I want to get really tactical and try to make a roadmap of things to consider, when searching for representation.</p>

I’ve talked a lot about the particularities of what a good application should look like and how to find galleries that resonate with your work, and now I want to get really tactical and try to make a roadmap of things to consider, when searching for representation.

A tactical approach to getting a gallery — cold-calling

The art world is a magical place full of complex conversations about unmade beds, buttered-up chairs and urinals, but nobody seems to want to talk about how it actually works. I want to change that.

So, welcome to Surviving Art, a safe place where trigger words like job security and pension fund are strictly forbidden.

But what isn’t, is making sense of the art market; how to price your work, approach galleries and get exhibitions, as well as tips and strategies on how to sell your art directly to collectors and get your creative message across.

Arts

Visual Arts

The art world is a magical place full of complex conversations about unmade beds, buttered-up chairs and urinals, but nobody seems to want to talk about how it actually works. I want to change that. So, welcome to Surviving Art, a safe place where trigger words like job security and pension fund are strictly forbidden. But what isn’t, is making sense of the art market; how to price your work, approach galleries and get exhibitions, as well as tips and strategies on how to sell your art directly to collectors and get your creative message across.

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A tactical approach to getting a gallery — cold-calling

A tactical approach to getting a gallery — cold-calling