How do you talk about a film that eschews traditional narrative analysis and in fact seems to exist in open defiance of both film criticism and God? If you're Todd and Brogan (and special guests Amelia and Bobby) it involves a number of lengthy tangents, including multiple meandering discussions about 9/11 that — in a Franchise Fiends first — were so bizarre and off-topic that Brogan trimmed most of it out after realizing they totaled nearly a third of the runtime.

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