In March 2020 the UK was gearing up to face the Covid-19 pandemic. Cases were increasing rapidly and by the end of month the country was in full lockdown with medics facing their toughest ever test. A group of doctors and nurses in intensive care units recorded audio diaries for the BBC which illustrated the true scale of the professional and personal challenge they faced. The UK was to become one of the worst hit countries for Covid-19 deaths in Europe. One year on – in the midst of a second wave -  and a third lockdown - reporter Jane Deith revisits some of those doctors and nurses to find out how they are surviving the biggest challenge of their careers. Producer: Rob Cave

A year of Covid

Original BBC documentary storytelling, bringing award-winning journalism, unheard voices, amazing culture and “unputdownable” audio. New episodes every week from The Documentary, Assignment, Heart and Soul, In the Studio, BBC OS Conversations and The Fifth Floor.

Personal Journals

Society & Culture

History

Philosophy

Places & Travel

On the southern shores of Vietnam, whales are revered as gods of the oceans. Eliza Lomas visits whale temples and a whale cemetery, hearing about the roots and rituals of the belief. We learn how worshippers’ lives are entwined with the sea, joining a festival where whales are honoured with a ceremonial journey. With lives at sea full of risk, we hear how these sacred creatures ensure fishermen a safe return to land.

Heart and Soul: The whale worshippers of Vietnam

Sweden has a global reputation for championing high taxes and social equality, but it has more dollar billionaires, relative to its population size, than almost anywhere else on the planet. Stockholm-based journalist Maddy Savage untangles the rise of the super rich, from the country’s booming tech sector to wealth and taxation policy shifts. She also delves into the deep-rooted cultural norms which can discourage Swedes from celebrating money, and investigates the rise in impact investing, as some of Sweden’s richest business leaders plough their cash into new startups prioritizing social and environmental sustainability. A Podlit AB production.

Super-rich Swedes

From deepfakes to the fear of AI taking jobs, to the social media giants making money from abusive content, our technology dominated world is in a crisis – what are the solutions? AI researcher Kerry McInerney applies a feminist perspective to data, algorithms and intelligent machines. AI-powered tech, and generative AI in particular, pose new challenges for cybersecurity. Kerry proposes a new take on AI, looking at how it can be used on a small scale, acknowledging culture and gender, tailoring the technology for local applications rather than trying to push for global, one size fits all strategies. And in addressing corporate responsibility for Big Tech, Kerry discusses how tackling harassment online requires an understanding of the social, political and psychological dimensions of harassment, particularly of women in the wider world, as opposed to seeing this as a technical problem. Dr Kerry McInerney is a research fellow at the Leverhulme Centre for the Future of Intelligence, University of Cambridge, and the AI Now Institute. This is the last of four programmes from the Oxford Literary Festival, presented by Nuala McGovern, produced by Julian Siddle. Recorded in front of an audience at Worcester College Oxford.

Forward Thinking: Can feminism fix the internet?

For three decades Armenians ruled Karabakh – literally “Black Garden” – an unrecognised statelet inside neighbouring Azerbaijan. Many saw it as the cradle of their civilisation. But as Azerbaijan retook control last autumn, the entire population fled in just a few days. It was a historic catastrophe for Armenia. But the world barely noticed. How is Armenia coping with its loss? Can 100,000 refugees rebuild their lives? And will the cycle of hatred that caused the conflict ever be broken? Grigor Atanesian reports.

Assignment: Armenia's lost garden

Philip K. Dick's novella The Minority Report was famously adapted into a science fiction blockbuster by director Steven Spielberg in 2002. More than 20 years later, it is now being adapted for the stage by writer David Haig and director Max Webster. Mark Burman goes behind the scenes of this bold adaptation, as the clock ticks down to opening night.

A year of Covid

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