Eric Coble is back to answer all the playwriting & adaptation questions that Melissa wanted to ask in Episode 1. (If you haven't listened to that one yet, go check it out!)

In this episode, we discuss:

• How Hollywood can put an already-written stage adaptation on hold indefinitely
• If a playwright really needs to live in New York to get work and make a living
• Eric's mountain metaphor as it relates to writing a new play
• Advice for emerging playwrights

And more!

Resources Mentioned
Men are from Mars, Women are from Venus LIVE!
Dramatists Guild

About Our Guest
Eric Coble was born in Edinburgh, Scotland, and raised on the Navajo and Ute reservations in New Mexico and Colorado. His scripts have been produced on Broadway (Tony-and Pulitzer-nominated The Velocity of Autumn), Off-Broadway (Bright Ideas, Men Are From Mars, Women Are From Venus, Side Effects May Include…), in Disney Theme Parks (Jedi Training: Trials of the Temple), in all fifty states of the U.S., and on several continents, including productions at Manhattan Class Company, The Kennedy Center, Playwrights Horizons, Actors Theatre of Louisville Humana Festival, Denver Center Theatre Company, Arena Stage, South Coast Rep, Cleveland Play House, Alliance Theatre, New York and Edinburgh Fringe Festivals, Habima Theatre (Israel), Pentacion Productions (Spain), Teatr Polski (Poland), Orange Row (Mexico), and the Contemporary American Theatre Festival (U.S.).

Awards include two AATE Distinguished Play Awards for Best Adaptation, an Emmy nomination, the Chorpenning Playwriting Award for Body of Work, the AT&T Onstage Award, National Theatre Conference Playwriting Award, an NEA Playwright in Residence Grant, a TCG Extended Collaboration Grant, the Cleveland Arts Prize, two Cuyahoga Arts and Culture Fellowships, and four Ohio Arts Council Individual Excellence Grants. Thirty of Mr. Coble’s scripts have been published by Dramatists Play Service, Samuel French, Dramatic Publishing, Smith & Krause and others.

Connect with Our Guest
Eric's website
Read Eric's plays on New Play Exchange
F

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