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In this podcast episode, Tricia Barr and B.J. Priester consider the recently released MCU Disney+ series Agatha All Along from the perspective of long-running themes at FANgirl Blog and Hyperspace Theories: the influence of myth and heroic journeys on contemporary storytelling and how contemporary storytelling is evolving those ideas, especially in stories told by women and other creators from diverse and marginalized backgrounds. The story structure of Agatha All Along itself is built around the idea of an evolving myth, the “Ballad of the Witches’ Road” song, which appears in multiple iterations over the course of the series.
We then discuss the character arcs of Agatha Harkness and Billy Maximoff through the frame of the Maiden Mother Crone triptych that is central to the series, and to longstanding lore about witches and other female archetypes. We also examine how Agatha All Along draws upon familiar elements of storytelling frameworks like the Hero’s Journey and Heroine’s Journey while also breaking from tropes and expectations in telling the tale of a centuries-old witch and a twenty-first century American teenager.
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In this podcast episode, Tricia Barr and B.J. Priester consider the recently released MCU Disney+ series Agatha All Along from the perspective of long-running themes at FANgirl Blog and Hyperspace Theories: the influence of myth and heroic journeys on contemporary storytelling and how contemporary storytelling is evolving those ideas, especially in stories told by women and other creators from diverse and marginalized backgrounds. The story structure of Agatha All Along itself is built around the idea of an evolving myth, the “Ballad of the Witches’ Road” song, which appears in multiple iterations over the course of the series.
We then discuss the character arcs of Agatha Harkness and Billy Maximoff through the frame of the Maiden Mother Crone triptych that is central to the series, and to longstanding lore about witches and other female archetypes. We also examine how Agatha All Along draws upon familiar elements of storytelling frameworks like the Hero’s Journey and Heroine’s Journey while also breaking from tropes and expectations in telling the tale of a centuries-old witch and a twenty-first century American teenager.
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