I rather he die than I say any of the things I thought about him. Because I don’t want to–I feel like it’s too late for him anyway, you know, like there’s no reform. So I might as well let him just, like, die with the thought that perhaps his kids don’t hate him.
<a href="https://archive.org/download/IPFWY_AH/AH.mp3">https://archive.org/download/IPFWY_AH/AH.mp3</a>

I rather he die than I say any of the things I thought about him. Because I don’t want to–I feel like it’s too late for him anyway, you know, like there’s no reform. So I might as well let him just, like, die with the thought that perhaps his kids don’t hate him. https://archive.org/download/IPFWY_AH/AH.mp3

I rather he die than I say any of the things I thought about him. Because I don’t want to–I feel like it’s too late for him anyway, you know, like there’s no reform. So I might as well let him just, like, die with the thought that perhaps his kids don’t hate him.
<a href="https://archive.org/download/IPFWY_AH/AH.mp3" rel="noopener noreferrer">https://archive.org/download/IPFWY_AH/AH.mp3</a>

Sound piece "I’m Perfectly Fine Without You" by Daisy Patton is an ongoing project that discursively explores the perspectives of children of absent fathers through their own memory. A collection of tenuous yet emotionally charged recollections, the sole criterion is that their father was missing during childhood, with the only exception being death. The voices of the participants together form a kind of confessional, with you the listener as the recipient of their now unconcealed, personal divulgences.

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