Two and a half hours of direct, lived perspective on AI music from inside an active catalog—spoken by someone releasing albums across analog recording, lo-fi processes, and AI generation at the same time.

 

I lay out my own methodology in detail: how I approach tools like Suno and Udio, how I guide, shape, edit, and integrate them into a larger body of work that already exists beyond AI. This is a pro-AI stance grounded in practice, where authorship becomes direction, taste, sequencing, and intention rather than just performance.

 

I share how I treat AI as an instrument, build albums with it, decide what stays human and what is machine-assisted, and how they interact throughout a release cycle. My position is clear and supported through debate, examples, and clarification of common misconceptions about originality, effort, and legitimacy.

 

This is a working artist mapping the terrain in real time, drawing on a deep catalog and defining a personal framework.

Sans all production value and recorded from multiple locations with shitty mics. Sometimes from within my vehicle while driving to work.