<p>Artist and photography professor <a href="https://art.berkeley.edu/alla-desouza" target="_blank">Al-An deSouza</a> discusses their exhibition, <a href="https://museum.cornell.edu/exhibitions/al-desouza-elegies-futures-past" target="_blank">Elegies of Futures Past</a>, at Cornell University’s Johnson Museum of Art, and its meditations on family memory, colonial empire and diasporic identity.</p>

Artist and photography professor Al-An deSouza discusses their exhibition, Elegies of Futures Past, at Cornell University’s Johnson Museum of Art, and its meditations on family memory, colonial empire and diasporic identity.

<p>Artist and photography professor <a href="https://art.berkeley.edu/alla-desouza" rel="noopener noreferrer">Al-An deSouza</a> discusses their exhibition, <a href="https://museum.cornell.edu/exhibitions/al-desouza-elegies-futures-past" rel="noopener noreferrer">Elegies of Futures Past</a>, at Cornell University’s Johnson Museum of Art, and its meditations on family memory, colonial empire and diasporic identity.</p>

Al-An deSouza on Photography as Elegy

The Scene is an audio magazine covering an eclectic mix of politics, arts, culture, books and issues of the day. With host Chantal Thomas, the Scene broadcasts on WRFI Community Radio.

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Al-An deSouza on Photography as Elegy

Al-An deSouza on Photography as Elegy