We've got a special guest this week, Joe, who brought us a special record: The 1989 self-titled album from The Stone Roses. The Mancunian indie rock pioneers produced one of the most iconic and under appreciated albums of the late 1980s. They became immensely popular in Great Britain in the early nineties, but a series of very unfortunate business decisions ultimately led them to ruin. It's a fascinating story, and a truly pleasurable listen. We also play brand new tracks from Permanent Records artists The Mouse House, Goo Wave, and much more.

Ryan and Troy play some of the biggest and best bangers from a wide range of Permanent Records artists including Gasoline Dion, Robert Dinero, Kall of Booty, Reggaenomics, and many more.

This week it's Ryan's turn, and his album of choice is the 1994 punk classic Stranger Than Fiction by Bad Religion. The Permanent Records founders also engage in a 'blind listen' live, as they unpack some new demos even they hadn't heard before. They also play some oldies but goodies from Reggaenomics, Kall of Booty, Nasally Yours, and much more.

This week Troy and Ryan break down the 2007 "new wave polka grunge adult contemporary progressive death metal" (their words, not ours) epic masterpiece album Colors by Between the Buried and Me. The Permanent Records founders also share tracks from Freddie Uranus, Lamb of Cod, Life Metal, and more.

Ryan's album choice this week, and he went with the truly nostalgic 90s punk powerhouse Dookie by Green Day. We talk through the album in depth, and of course share brand new tracks from Bean Day, NOFNS, Reggaenomics, Butt Country, Kall of Booty, and more.

This episode is brought to you by Blasteez.

Special guest Michael Rae joins Troy and Ryan on the podcast this week bringing along a piece of UK blues history: Savoy Brown, Street Corner Talking. We talk through the history of this beloved blues band while also sharing some new music from the Permanent Records studio, including Grow Cocker and Brews Brothers.

Troy and Ryan review the best rock opera ever made: The Wall by Pink Floyd. Troy's vinyl is a true original pressing, making for a very unique artifact of music history. The guys also share some tracks off of Stink Lloyd's own epic rock opera: The Fence.

Troy and Ryan dig into the 2012 indie folk rock album Fear Fun by Father John Misty. The music industry tycoons also introduce never-before-heard tracks from two new artists (recently signed to Permanent Records) following a similar style and groove: Papa John Windy and Mother Jane Whiskey.

This week Troy and Ryan review the classic 1972 Krautrock masterpiece "Ege Bamyasi" by 'Can.' Of course the co-founders of Permanent Records also share some brand new, never-before-heard tracks from their newly signed artist 'Can't.' The musical influences of Can't draw heavily upon Can, but with their own flair and personal contributions, opening up about their own oppressions and vulnerabilities in their lyrics. Enjoy!

Ryan unleashes on Troy a whole new set of tracks from Kall of Booty, The Weekdays, Brozart, and much more.