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Alfred Hitchcock
Tessa and Sam are joined this week by Matt to discuss films from three different eras of the Master of Suspense: Sabotage (1936), Rear Window, and Family Plot.
4:49 - Sabotage (1936)
16:16 - interruption of discussion of Sabotage to discuss of Hitchcock's film-making aesthetic and problematic history
23:35 - discussion of Sabotage resumes
26:58 - Matt's prior experience with Hitchcock's body of work and a discussion of Hitchcock as a auteur and auteur theory
34:03 - Alma Reville and her contribution to Hitchcock's work
38:34 - Rear Window
55:16 - Matt's approach to list-making
1:03:33 - Family Plot
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By Tessa Swehla and Sam Morris
4.6
1111 ratings
Tessa and Sam are joined this week by Matt to discuss films from three different eras of the Master of Suspense: Sabotage (1936), Rear Window, and Family Plot.
4:49 - Sabotage (1936)
16:16 - interruption of discussion of Sabotage to discuss of Hitchcock's film-making aesthetic and problematic history
23:35 - discussion of Sabotage resumes
26:58 - Matt's prior experience with Hitchcock's body of work and a discussion of Hitchcock as a auteur and auteur theory
34:03 - Alma Reville and her contribution to Hitchcock's work
38:34 - Rear Window
55:16 - Matt's approach to list-making
1:03:33 - Family Plot