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When Almuth Tebbenhoff came to London in the late 1960s she started from scratch: learning a new language, finding a job and studying to be a potter.

A decade later, a lucky meeting with Eduardo Paolozzi gave her the chance to study at the Royal College of Art where drawing classes, lectures and conversations with other artists led her from the world of ceramics to a wider range of materials.

Almuth first came to Pietrasanta to work in marble in 2006. She talks about a few special projects she created in stone including a series of interlocked nutshell type boats, which appear to toss and turn on their journey.

Another commission, Flow, lived outside the Salisbury Museum and reflects Almuth’s fascination for patterns made by water. It’s this piece which she was restoring on the day Sarah Monk went to interview her.

tebbenhoff.org

instagram.com/almuthtebbenhoff

Almuth is vice-president of the Royal Society of Sculptors