Ruben Ramos' life story mirrors the history of what we now know as Tejano music. His family's musical roots in Texas go back to 1918, and as a boy he was brought into the family bands, first as a drummer and then as a vocalist. He's been playing big band-inflected Tejano music now for more than six decades, and just released a tribute album tracing that musical lineage, called 'Los Días de Calor.' In this episode, Felix chats with "El Gato Negro" Ramos about the history of Tejano music across the twentieth century, and how his own story fits inside of it. 

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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We don’t often get to discuss the ways that Latin American music made its way west across the Pacific Ocean. But this week we have two incredible projects that celebrate that journey. First, a Japanese band that fuses traditional minyo folk sounds with cumbia and other Latin rhythms. Then, a project that unearths a forgotten history of the 19th century Mexican cowboys who went to Hawaii to help manage livestock.

Plus, a tribute to Afro-Colombian folk legend Totó La Momposina, who passed away this month at 85; an underrated Puerto Rican reggaetonero shines again; and, of course, Ana continues her Brazilian obsession with new tracks from up-and-comer Bebé.

Artists and albums featured in this episode:

(00:55) Bebé - 'Dissolução'
(05:45) Minya Crusaders - 'From Japan With Love'
(10:06) Álvaro Díaz - 'OMAKASE'
(17:35) Los Cenzontles - 'Adios Ke Aloha: Waves of the Same Sea'
(23:05) Orestes Gomez - 'No me fui porque quise'
(28:04) Totó La Momposina - Various

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.


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Two different pioneers - from two different continents - are at the heart of this episode of new music. Since the late 1980s, Gipsy Kings have been infusing Catalan rumba flamenca with a pop sensibility that defies the purists. Their new single "Historia," from an upcoming album of the same name, shows they've still got that punchy danceability forty years on. And across the pond, Mexican rocker and songwriter Julieta Venegas explores the musical roots of her norteña heritage on a new album, playing with the biculturalism that defines so much of life along the border.

Plus, Las Añez brings twin harmonies to Andean folk-pop, Helado Negro teams up with Reyna Tropical, Mexican upstart Esteesgarcia confounds Ana and Felix, and more!

Artists & songs featured in this episode:

(00:22) Las Añez - "Cebolla", "Libéralo"
(05:21) Helado Tropical - "Tocando"
(09:44) Esteesgarcia - "south kids", "Okupa"
(14:35) Gipsy Kings - "Historia"
(23:23) Julieta Venegas ft. Yahritza y Su Esencia - "La Línea"
(25:53) bpuntito - "colitaderana", "después"
(31:29) Ana Moura & MARO -  "Era de Aquário/Deixa o Sol Entrar"

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Since 2014, we've been hitting bands up to send in their videos for the opportunity to win the Tiny Desk Contest. And almost from the beginning, Alt.Latino has been pulling aside the bands and artists that play Latin music. It’s always been a highlight to see the incredible talent that's out there night after night in bars, clubs, community centers, street parties and backyards, finding new ways to express their Latino identity through music. This year was no different.

We waded through hundreds of entries to select the six to feature this week, which showcase a huge variety of musical expressions.

And a reminder: you can see every band that sent in a video this year right here - and a big shout out to this year’s winner, Cure For Paranoia!


Artists and songs featured in this episode:

(04:10) Sofia Gomez, "Without Me"
(07:58) Ed Harvest, "Me Toca Despedirme de Ti"
(11:05) alegrías, "Wahoo!"
(16:05) Ivan Llanes and Friends, "Cubahia"
(22:27) Majo Puente, "MAKTUB"
(25:56) Thee Almighty Majestics, "Última Noche"

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive director of NPR Music.

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I've been dying to interview Argentine artist Milo J ever since he came to NPR earlier this year to perform at the Tiny Desk. The 19-year-old started his career as a trap artist, but his latest album, 'La Vida Era Más Corta,' mines Argentine folklore to present a bold vision of his country that resonates deeply with younger generations. That Tiny Desk was just released -- and became one of our fastest-growing shows ever -- so we figured the time was right to call up Milo J and dig into it all. And just a note up front: this interview is entirely in Spanish.    

Llevaba mucho tiempo con ganas de entrevistar al artista argentino Milo J desde que vino a NPR a principios de este año para tocar en Tiny Desk. Este joven de 19 años comenzó su carrera como artista de trap, pero su último álbum, 'La Vida Era Más Corta,' se inspira en el folclore argentino para presentar una visión audaz de su país que conecta profundamente con las generaciones más jóvenes. Ese Tiny Desk acaba de salir al aire y ya se ha convertido en uno de nuestros shows de mayor crecimiento, así que pensamos que era el momento ideal para llamar a Milo J y profundizarlo. Y una nota previa: esta entrevista es completamente en español.

- Anamaria Sayre

You can watch the full Tiny Desk performance at NPR.org

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Fusion is at the heart of so much of the music we cover - especially on this week's episode. Flamenco producers descend on Hermosillo to experiment with regional Mexican music. Young Argentine artists blend trap with folk and rock en Español. A sunny Rio sound is born in Spain. Plus, a New Mexican string band, an Afro-Brazilian collective and an exploration of Latin roots from Cypress Hill.  

Artists and albums featured in this episode:

(02:26) Trueno, 'TURR4ZO'
(09:37) Lone Piñon, 'Hot Carne Seca'
(13:20) Chanela Clicka, 'COBRA'
(18:50) Cypress Hill, 'Dios Bendiga'
(22:30) Leo Middea, 'Notícias de Puglia'
(25:28) Mandinga Beat, 'Afro-Brazil'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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This week's new music show spans the breadth of Latin America. Argentine indie artist Paula Prieto goes experimental. Venezuelan reggaeton pioneers Chino y Nacho return to the limelight. Brazilian singer Marina B reminds Felix of The Beatles. Guatemala's Doctor Nativo pays homage to the "caminantes" heading north to find a better life. Plus, Latin punk from San Antonio, and a celebration of Afro-Cuban legend Arsenio Rodriguez.

Artists and albums featured in this episode:

(00:46) Chino y Nacho, 'Radio Venezuela'
(05:30) FEA, 'Careful'
(10:11) Paula Prieto, 'TEMPORAL, LP.'
(16:27) Bobby Sanabria Multiverse Big Band, 'Arsenio And Beyond'
(22:30) Midnight Cafe & Marina B, 'À Flor da Pele (Lonely Man)'
(25:34) Doctor Nativo & Roco Pachukote, 'Caminantes'

This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Jorge Drexler is one of the most decorated singer-songwriters in Latin America. His albums are always high profile events, and his latest record merits the attention. It's called Taracá, and to make it he returned home to his native Uruguay - after living in Spain for 30 years - to explore the roots of an Afro-Uruguayan tradition known as candombe. On this week's episode we chat with Drexler about the motivation for returning to his home country, making music after losing his parents, and how the album's title reflects the sound made by a candombe drum.

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Listen to this episode out in the springtime air. It starts with a bucolic jaunt through Brazilian guitarist Fabiano do Nascimento's latest orchestral project, then finds La Plazuela's fresh Spanish funk and Macha's irreverent side project. Other sounds along the way: Caribbean pop from Venezuela, feel-your-feels indie from northern Mexico and an electronic spin on the indigenous Náhuatl language.

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Two phrases spoken during this week’s episode stand out because they represent how Ana and I approach our searches for new music. The first: “The only limit is the imagination.” In my constant hunt for the sound I have never heard, this thought is my mantra. The new music we’re bringing this week really steps up to that challenge, from young upstarts like Broke Carrey to beloved veterans like Draco Rosa.

The second phrase? “Latin music is a geography, not a genre.” Ana put into words something she and I talk about often, the idea that the term “Latin music” is no longer adequate to reflect that amazingly eclectic forms of musical expression in the Spanish-speaking world. This episode features musicians from Argentina, Peru, the Dominican Republic and elsewhere -- but what they share is a distinct artistic expression that consistently blows our minds.

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