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"Alwan Echoes takes its name from the Arabic word Alwan, meaning “all the colours.”
"In this piece I used marranzanu (the Sicilian jaw harp, also known as scaccia pensieri) and flute, creating a bridge between Southern Italy and Morocco: from echoes of Sicilian tarantella rhythms to a melody inspired by Moroccan musical traditions. The field recording from the square of Marrakech, with its percussion, voices, and human presence, became a living soundscape inside the composition, transforming the piece into a dialogue between ritual, travel, and collective memory."
Jemaa el-Fnaa music in Marrakesh reimagined by Cristina Italiani.
By Cities and Memory4.8
1212 ratings
"Alwan Echoes takes its name from the Arabic word Alwan, meaning “all the colours.”
"In this piece I used marranzanu (the Sicilian jaw harp, also known as scaccia pensieri) and flute, creating a bridge between Southern Italy and Morocco: from echoes of Sicilian tarantella rhythms to a melody inspired by Moroccan musical traditions. The field recording from the square of Marrakech, with its percussion, voices, and human presence, became a living soundscape inside the composition, transforming the piece into a dialogue between ritual, travel, and collective memory."
Jemaa el-Fnaa music in Marrakesh reimagined by Cristina Italiani.