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Knock, knock, it’s definitely not Salieri. This week Kim and Alice are taking a look at Pitch Perfect for the Classical era: Amadeus. Why did the film clean up at the Oscars that year? Where does the line between historical truth and allegory begin? And was Mozart the bad-boy version of Hans Zimmer or a divinely talented little nerd?

Sound Engineer: Keith Nagle
Editor: Keith Nagle / Helen Hamilton
Producer: Helen Hamilton

If you enjoy this podcast, come with us on a romp through the Regency era with our sister podcast, Austen After Dark. Listen to all episodes now.

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