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Amarok (Mike Oldfield)
A (relatively) in-depth analysis of the album Amarok by English musician Mike Oldfield.
Released in 1990 by Virgin Records, Oldfield originally conceived it as an 'angry protest album'. It is presented as a single sixty-minute track of continuous, uninterrupted but constantly changing music.
Although the album was not promoted with singles or a concert tour at the time, a duo comprising American pianist Gus Fogle and bassist Jason Miller performed the piece in April 2012, after it had been transcribed note for note by Welsh composer and arranger Ryan Yard.
'I am told that when men hear its voice, it stays in their ears, they cannot be rid of it. It has many different voices: some happy, but others sad. It roars like a baboon, murmurs like a child, drums like the blazing arms of one thousand drummers, rustles like water in a glass, sings like a lover and laments like a priest...'
William Murray (from the short story included in the album liner notes).
I do hope you enjoy this episode.
Mathew Woodall
https://www.facebook.com/share/1F15mx4ea3/
https://buymeacoffee.com/lownoise
Why buy me a coffee?
Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).
Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.
Released in 1990 by Virgin Records, Oldfield originally conceived it as an 'angry protest album'. It is presented as a single sixty-minute track of continuous, uninterrupted but constantly changing music.
Although the album was not promoted with singles or a concert tour at the time, a duo comprising American pianist Gus Fogle and bassist Jason Miller performed the piece in April 2012, after it had been transcribed note for note by Welsh composer and arranger Ryan Yard.
'I am told that when men hear its voice, it stays in their ears, they cannot be rid of it. It has many different voices: some happy, but others sad. It roars like a baboon, murmurs like a child, drums like the blazing arms of one thousand drummers, rustles like water in a glass, sings like a lover and laments like a priest...'
William Murray (from the short story included in the album liner notes).
I do hope you enjoy this episode.
Mathew Woodall
https://www.facebook.com/share/1F15mx4ea3/
https://buymeacoffee.com/lownoise
Why buy me a coffee?
Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).
Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.
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By Low NoiseA (relatively) in-depth analysis of the album Amarok by English musician Mike Oldfield.
Released in 1990 by Virgin Records, Oldfield originally conceived it as an 'angry protest album'. It is presented as a single sixty-minute track of continuous, uninterrupted but constantly changing music.
Although the album was not promoted with singles or a concert tour at the time, a duo comprising American pianist Gus Fogle and bassist Jason Miller performed the piece in April 2012, after it had been transcribed note for note by Welsh composer and arranger Ryan Yard.
'I am told that when men hear its voice, it stays in their ears, they cannot be rid of it. It has many different voices: some happy, but others sad. It roars like a baboon, murmurs like a child, drums like the blazing arms of one thousand drummers, rustles like water in a glass, sings like a lover and laments like a priest...'
William Murray (from the short story included in the album liner notes).
I do hope you enjoy this episode.
Mathew Woodall
https://www.facebook.com/share/1F15mx4ea3/
https://buymeacoffee.com/lownoise
Why buy me a coffee?
Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).
Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.
Released in 1990 by Virgin Records, Oldfield originally conceived it as an 'angry protest album'. It is presented as a single sixty-minute track of continuous, uninterrupted but constantly changing music.
Although the album was not promoted with singles or a concert tour at the time, a duo comprising American pianist Gus Fogle and bassist Jason Miller performed the piece in April 2012, after it had been transcribed note for note by Welsh composer and arranger Ryan Yard.
'I am told that when men hear its voice, it stays in their ears, they cannot be rid of it. It has many different voices: some happy, but others sad. It roars like a baboon, murmurs like a child, drums like the blazing arms of one thousand drummers, rustles like water in a glass, sings like a lover and laments like a priest...'
William Murray (from the short story included in the album liner notes).
I do hope you enjoy this episode.
Mathew Woodall
https://www.facebook.com/share/1F15mx4ea3/
https://buymeacoffee.com/lownoise
Why buy me a coffee?
Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).
Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.