One engine, two faces I needed a second website, and I already had the code for the first one sitting right there. The obvious move was to copy the folder. Copy the folder, point a new domain at it, change the colors, done by lunch. Every author-dev who's ever run two sites has f…

I stopped renting my readers Last spring I clicked the most important button on my own website and hit a locked door. The button said "Read Free Stories." I'd put it front and center, the thing I most wanted a new reader to press. I pressed it myself, pretending to be a stranger.…

I keep my working craft notes on one page of this site. It's called Writing Resources, and reaching it costs nothing but a free account. I mean the actual notes. The template I fill in before I name a character. The ten-part slog I went through to build a believable world for my …

A chapter ending is a contract. Most writers sign it without reading. Every working writer has had this talk with a beta reader. The pacing felt off in the middle, they say. You ask which chapter. They can't point to one. So you go back and revise the chapters in that range. You …

The Chapter You Can't Write Every craft podcast tells you to push through. On this, every craft podcast is wrong. Or to be fair: right about half the time, badly wrong the other half. And nobody teaches you which half you're in. Most working writers have lived the bad version. A …

Imagine your whole school can see your stats A sixteen-year-old, one humiliating half second, and the reckless thing he does to prove it wasn’t the whole story. You already know where you rank. Somebody decided years ago, the label stuck, and most days it feels settled. The athle…

Last time, I argued that revision is an OODA loop, and that the step most writers skip is Orient — the move where you frame what you’ve read against what the passage is actually for, before you change a single word. That’s easy to assert and harder to show. So this dispatch is on…

When you’re stuck in rewrite hell — version after version, none of them actually better — the problem usually isn’t your writing skill. It’s something quieter that most writers never name. Most revisions fight themselves. Here’s why. Every working writer has felt the difference b…

The adverb prohibition was never a rule. It was a Strunk & White nervous tic that became orthodoxy — and our prose got worse for it. The prohibition isn’t entirely wrong. There’s a real craft problem buried inside it, and the rule was an attempt to solve it. But somewhere between…

A few episodes ago, I told you about a moment in a short story I wrote called “Signal Zero.” A military sergeant gets ambushed by an alien intelligence — and inside that ambush, the system gives him a designation. It calls him Sentinel. And next to Sentinel, a number: Frame: Seve…