Everybody loves a good dysfunctional family drama, which is one reason the Oresteia and other Greek tales of the strife-torn House of Atreus have never gone out of fashion. Agamemnon, Clytemnestra, Electra and the gang are at it again in a new play premiering this week at UC Santa Cruz. The production draws freely on classical sources including the Illiad and the plays of Aeschylus, Sophocles and Euripides, and adds a high-tech twist: the performance is split between two stages representing two distinct realities, bridged by live video streaming. I spoke with writer/director Kirsten Brandt and producer Ted Warburton, both of UCSC's Theater Arts Department, about the performance, the timeless truths of Greek tragedy and the use of “telematic” technology in theater.