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Andrew O'Hagan on Lee Lozano and Muriel Spark
Andrew O’Hagan and Fruitmarket Director Fiona Bradley discuss the links between Lee Lozano and Dame Muriel Spark.
Their conversation, titled ‘Self-Sabotage’, explored the parallels between the self destructive tendencies of one of the protagonists of Spark’s 1970 novella The Driver’s Seat and Lozano’s rejection of the art world in the early 1970s, which threw her into semi-obscurity.
Lee Lozano was a major figure in the New York art scene of the 1960s and early 1970s. Her radical approach to art and life, in particular her systematic refusal to engage with the institutions and support structures of the art world, led to her work being neglected and becoming much less well known over time. A reassessment of Lozano’s work over recent years has included the 2018 Fruitmarket exhibition which led to this talk.
There are more details about the 2018 exhibition Lee Lozano: Slip Slide Splice, including images and video, at the Fruitmarket’s online archive.
Along with the exhibition catalogue, Fruitmarket produced a book of Lozano’s language pieces, which is still available from our online bookshop. These hand written and sometimes typed notes , many of which had never been published before, read like a working instruction book of her work.
Andrew O’Hagan is a Scottish writer. His recent novels include Mayflies and Caledonian Road. Our Fathers, his first novel, was shortlisted for the Booker Prize for Fiction and the Whitbread First Novel Award. He has also published several non-fiction books and had essays and stories in London Review of Books, The Guardian and The New Yorker. In 2018 O’Hagan wrote the introduction to a new edition of The Driver’s Seat, published by Polygon on the 100th anniversary of Spark’s birth.
A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process.
To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk where you can sign up for our newsletter, or follow us on Instagram.
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By FruitmarketAndrew O’Hagan and Fruitmarket Director Fiona Bradley discuss the links between Lee Lozano and Dame Muriel Spark.
Their conversation, titled ‘Self-Sabotage’, explored the parallels between the self destructive tendencies of one of the protagonists of Spark’s 1970 novella The Driver’s Seat and Lozano’s rejection of the art world in the early 1970s, which threw her into semi-obscurity.
Lee Lozano was a major figure in the New York art scene of the 1960s and early 1970s. Her radical approach to art and life, in particular her systematic refusal to engage with the institutions and support structures of the art world, led to her work being neglected and becoming much less well known over time. A reassessment of Lozano’s work over recent years has included the 2018 Fruitmarket exhibition which led to this talk.
There are more details about the 2018 exhibition Lee Lozano: Slip Slide Splice, including images and video, at the Fruitmarket’s online archive.
Along with the exhibition catalogue, Fruitmarket produced a book of Lozano’s language pieces, which is still available from our online bookshop. These hand written and sometimes typed notes , many of which had never been published before, read like a working instruction book of her work.
Andrew O’Hagan is a Scottish writer. His recent novels include Mayflies and Caledonian Road. Our Fathers, his first novel, was shortlisted for the Booker Prize for Fiction and the Whitbread First Novel Award. He has also published several non-fiction books and had essays and stories in London Review of Books, The Guardian and The New Yorker. In 2018 O’Hagan wrote the introduction to a new edition of The Driver’s Seat, published by Polygon on the 100th anniversary of Spark’s birth.
A free, public space for culture in the heart of Edinburgh, Fruitmarket provides inspiration and opportunity for artists and audiences. We programme, develop and present world-class exhibitions, commissions, publications, performances, events and engagement activities, opening up the artistic process.
To find out more about our current exhibition programme and upcoming events visit fruitmarket.co.uk where you can sign up for our newsletter, or follow us on Instagram.