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Creating a Gayer and More Colourful Disney
AJ explores the power of authentic queer and bipoc storytelling, the challenges of independent animation, and the importance of creating unapologetically inclusive media that offers hope, validation, and representation to communities.
In this episode of The Inclusion Bites Podcast, Joanne Lockwood welcomes AJ Hannah to explore the vibrant, challenging, and timely subject of animating queer futures. Together, they consider what it means to reimagine the animation industry—traditionally dominated by mainstream narratives—through unapologetically queer and intersectional lenses. AJ and Joanne unpack how authentic representation behind and in front of the camera can disrupt stereotypes, empower marginalised creators, and spark meaningful social change, especially amidst political and cultural backlash against inclusion. Their discussion deftly traverses the realities of building a grassroots, diversity-first studio, funding hurdles, the significance of community-driven support, and the defiant joy of making space where others refuse to tread.
AJ is the founder and creative director of 3dio Studios, a queer-led, BIPOC woman-founded indie animation studio. Her current projects, including the adult animated series Poison Us, position her on the frontline of championing globally resonant LGBTQ+ storytelling. Drawing on her background in journalism, personal journey as a gender fluid person of colour, and determination to provide platforms for talent overlooked by traditional Hollywood, AJ weaves her lived experiences into the narratives and opportunities she creates. Her focus is on telling the stories major studios eschew, ensuring characters and talent genuinely reflect the communities they represent both on screen and behind the microphone.
Joanne and AJ probe the nuances of representation, from refusing to erase queer identities for wider market appeal to the importance of paying underrepresented artists a fair wage. They address the responsibilities of queer-led organisations to hold space for authentic narratives and discuss the realities of operating without corporate safety nets—fuelled by defiant hope, community investment, and the will to dismantle outdated norms. With stories of resilience, creative chaos, and the pleasure of minor acts of rebellion, this episode offers both practical insight and inspiration, urging listeners to consider how inclusion is brought to life—not just in storylines, but within every line drawn and every voice amplified.
A key takeaway from this conversation is the transformative power of authentic, unapologetic storytelling that centres queer and BIPOC voices—not as an act of tokenism, but as an act of justice, hope, and cultural reclamation. Listeners will be inspired to reflect on whose narratives are missing, understand the value of investing in grassroots inclusion, and feel encouraged to be part of the movement animating a more inclusive future.
Viral Topic: Diversity in Animation
Viral Topic: Diversity in Animation
Viral Topic: Queer Youth and Censorship: “even in China, where sometimes you’ll get censored stuff, they’ll still go, and the queer young people of China will still go and they’ll find what they want to watch.”
Authentic Representation in Media: “But if you don’t have the people behind it, the storyboard artists, the writers, the voice actors behind it that can actually tell that storey in a representative and authentic sort of way, then what are you doing?”
Hollywood’s Talent Gatekeeping: “There are so many talented people that are not seen in Hollywood because it’s very much a who you know, or this person knows this person and recommended them. So you end up, or you went to school with this person. And that leaves out a whole demographic that leaves out several demographics of people. That leaves out people in other countries that maybe couldn’t afford to go to scad. That leaves out people that, you know, even in this country that couldn’t afford to go to acting school or, you know, knew that, hey, acting school is probably not my best choice. As a queer person of colour. I need something that I can fall back on, that’s going to spend more money, but at the same time, they’re a great voice actor or voice actress and they, you know, do it on the side. They’re not represented, they’re not being seen by people or they’re just.”
Indie Animation Release Strategies: “We get to decide when we’re putting them out, which gives us amount of time, whatever amount of time we need to finish it or to make it so if somebody has.”
Viral Topic: Funding Queer Indie Animation
Viral Topic: Overcoming Personal Barriers
Viral Topic: The Decline of Journalism and Finding Representation
Viral Topic: Hidden Subversion in Art: “how can we be there and very much still be loud and showy, but also like just under their nose enough to where we’re able to paint on their ceiling?”
The post Animating Queer Futures appeared first on SEE Change Happen: The Inclusive Culture Experts.
By Joanne LockwoodCreating a Gayer and More Colourful Disney
AJ explores the power of authentic queer and bipoc storytelling, the challenges of independent animation, and the importance of creating unapologetically inclusive media that offers hope, validation, and representation to communities.
In this episode of The Inclusion Bites Podcast, Joanne Lockwood welcomes AJ Hannah to explore the vibrant, challenging, and timely subject of animating queer futures. Together, they consider what it means to reimagine the animation industry—traditionally dominated by mainstream narratives—through unapologetically queer and intersectional lenses. AJ and Joanne unpack how authentic representation behind and in front of the camera can disrupt stereotypes, empower marginalised creators, and spark meaningful social change, especially amidst political and cultural backlash against inclusion. Their discussion deftly traverses the realities of building a grassroots, diversity-first studio, funding hurdles, the significance of community-driven support, and the defiant joy of making space where others refuse to tread.
AJ is the founder and creative director of 3dio Studios, a queer-led, BIPOC woman-founded indie animation studio. Her current projects, including the adult animated series Poison Us, position her on the frontline of championing globally resonant LGBTQ+ storytelling. Drawing on her background in journalism, personal journey as a gender fluid person of colour, and determination to provide platforms for talent overlooked by traditional Hollywood, AJ weaves her lived experiences into the narratives and opportunities she creates. Her focus is on telling the stories major studios eschew, ensuring characters and talent genuinely reflect the communities they represent both on screen and behind the microphone.
Joanne and AJ probe the nuances of representation, from refusing to erase queer identities for wider market appeal to the importance of paying underrepresented artists a fair wage. They address the responsibilities of queer-led organisations to hold space for authentic narratives and discuss the realities of operating without corporate safety nets—fuelled by defiant hope, community investment, and the will to dismantle outdated norms. With stories of resilience, creative chaos, and the pleasure of minor acts of rebellion, this episode offers both practical insight and inspiration, urging listeners to consider how inclusion is brought to life—not just in storylines, but within every line drawn and every voice amplified.
A key takeaway from this conversation is the transformative power of authentic, unapologetic storytelling that centres queer and BIPOC voices—not as an act of tokenism, but as an act of justice, hope, and cultural reclamation. Listeners will be inspired to reflect on whose narratives are missing, understand the value of investing in grassroots inclusion, and feel encouraged to be part of the movement animating a more inclusive future.
Viral Topic: Diversity in Animation
Viral Topic: Diversity in Animation
Viral Topic: Queer Youth and Censorship: “even in China, where sometimes you’ll get censored stuff, they’ll still go, and the queer young people of China will still go and they’ll find what they want to watch.”
Authentic Representation in Media: “But if you don’t have the people behind it, the storyboard artists, the writers, the voice actors behind it that can actually tell that storey in a representative and authentic sort of way, then what are you doing?”
Hollywood’s Talent Gatekeeping: “There are so many talented people that are not seen in Hollywood because it’s very much a who you know, or this person knows this person and recommended them. So you end up, or you went to school with this person. And that leaves out a whole demographic that leaves out several demographics of people. That leaves out people in other countries that maybe couldn’t afford to go to scad. That leaves out people that, you know, even in this country that couldn’t afford to go to acting school or, you know, knew that, hey, acting school is probably not my best choice. As a queer person of colour. I need something that I can fall back on, that’s going to spend more money, but at the same time, they’re a great voice actor or voice actress and they, you know, do it on the side. They’re not represented, they’re not being seen by people or they’re just.”
Indie Animation Release Strategies: “We get to decide when we’re putting them out, which gives us amount of time, whatever amount of time we need to finish it or to make it so if somebody has.”
Viral Topic: Funding Queer Indie Animation
Viral Topic: Overcoming Personal Barriers
Viral Topic: The Decline of Journalism and Finding Representation
Viral Topic: Hidden Subversion in Art: “how can we be there and very much still be loud and showy, but also like just under their nose enough to where we’re able to paint on their ceiling?”
The post Animating Queer Futures appeared first on SEE Change Happen: The Inclusive Culture Experts.