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Annabel Kim joins us to talk about Plasmas (Deep Vellum, 2022), Céline Minard’s posthuman sci-fi series of vignettes that read like a syntactical tornado. As Annabel unpacks Minard’s invented jargons and depictions of estranged humanity, we follow a translation journey shaped by ecological grief, disorienting prose, and the polysemous charge of language that refuses clarity.
By Department of Comparative Literature at HarvardAnnabel Kim joins us to talk about Plasmas (Deep Vellum, 2022), Céline Minard’s posthuman sci-fi series of vignettes that read like a syntactical tornado. As Annabel unpacks Minard’s invented jargons and depictions of estranged humanity, we follow a translation journey shaped by ecological grief, disorienting prose, and the polysemous charge of language that refuses clarity.