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đď¸ In the latest episode of âbauhaus faces,â we dive into the remarkable story of another iconic Bauhaus couple: Anni and Josef Albers. Their lives and legacies are deeply intertwinedâ from their first meeting in 1922 in Weimar to their lasting impact on art, design, and education in the US.
Anni, who would later shortly lead the weaving workshop at the Bauhaus and then at Black Mountain College, and Josef, a visionary "young master" of the preliminary course, fled Nazi persecution in 1933. In the U.S., they helped shape the Black Mountain College and continued to innovateâAnni in textiles and jewelry, Josef in teaching and painting. Inspired by their travels to Mexico and their love for geometric forms, their art resonates to this day.
Join me and Brenda Danilowitz, Chief Curator of The Josef & Anni Albers Foundation, as we explore the incredible journey of this Bauhaus power couple.
________________________________
SHOW NOTES
bauhausfaces.comâ | @bauhausfacespodcast (Instagram) | @bauhausfaces (YouTube)
The Josef & Anni Albers Foundation | @albersfoundation (Instagram)
PHOTOS BY JOSEF ALBERS https://www.albersfoundation.org/art/highlights/andreas-grote-frßhjahr-30-mama-andreas-grote-spring-30-mother | https://www.albersfoundation.org/art/highlights/tenayuca-mexico_1976-7-632 | https://www.albersfoundation.org/art/highlights/aspen-summer-51
ANJA GUTTENBERGER: âFestive and Theatrical. The Mask Photos of Gertrud Arndt and Josef Albers as an Expression of Festival Cultureâ, https://www.bauhaus-imaginista.org/articles/4273/festive-and-theatrical
HOMAGE TO THE SQUARE SERIESÂ https://www.albersfoundation.org/art/highlights/study-for-homage-to-the-square-lone-light
JOAQUĂN BARRIENDOS: âJosef Albers and the Pre-Columbian Artisanâ, https://www.bauhaus-imaginista.org/articles/6263/josef-albers-and-the-pre-columbian-artisan
JEAN CHARLOT: âNature and the Art of Josef Albers,â College Art Journal 15, no. 3, Spring 1956, https://vault.jeancharlot.org/english-texts/1956%20Nat%20Art%20Albers.pdf
MEANDER WEAVINGS https://www.albersfoundation.org/art/highlights/red-meander | https://www.albersfoundation.org/art/highlights/black-white-gold-i
JEWELRY BY ANNI ALBERSÂ https://www.albersfoundation.org/tags/jewelry
BRENDA DANILOWITZ, "Working From Where We Are â Anni Albersâ and Alex Reedâs Jewelry Collection", https://www.bauhaus-imaginista.org/articles/3094/working-from-where-we-are
DIY: Washer and ribbon neon necklace tutorial http://maikonagao.blogspot.com/2013/04/diy-washer-and-ribbon-neon-necklace.html
STEN NADOLNY, "ULLSTEINROMAN" (2003):Â â https://www.ullstein.de/werke/ullsteinroman/taschenbuch/9783548269863â
COVER PHOTO: Josef and Anni Albers in Dessau, Germany, ca. 1925, Photographer unknown, Courtesy the Josef and Anni Albers Foundation
đď¸ In the latest episode of âbauhaus faces,â we dive into the remarkable story of another iconic Bauhaus couple: Anni and Josef Albers. Their lives and legacies are deeply intertwinedâ from their first meeting in 1922 in Weimar to their lasting impact on art, design, and education in the US.
Anni, who would later shortly lead the weaving workshop at the Bauhaus and then at Black Mountain College, and Josef, a visionary "young master" of the preliminary course, fled Nazi persecution in 1933. In the U.S., they helped shape the Black Mountain College and continued to innovateâAnni in textiles and jewelry, Josef in teaching and painting. Inspired by their travels to Mexico and their love for geometric forms, their art resonates to this day.
Join me and Brenda Danilowitz, Chief Curator of The Josef & Anni Albers Foundation, as we explore the incredible journey of this Bauhaus power couple.
________________________________
SHOW NOTES
bauhausfaces.comâ | @bauhausfacespodcast (Instagram) | @bauhausfaces (YouTube)
The Josef & Anni Albers Foundation | @albersfoundation (Instagram)
PHOTOS BY JOSEF ALBERS https://www.albersfoundation.org/art/highlights/andreas-grote-frßhjahr-30-mama-andreas-grote-spring-30-mother | https://www.albersfoundation.org/art/highlights/tenayuca-mexico_1976-7-632 | https://www.albersfoundation.org/art/highlights/aspen-summer-51
ANJA GUTTENBERGER: âFestive and Theatrical. The Mask Photos of Gertrud Arndt and Josef Albers as an Expression of Festival Cultureâ, https://www.bauhaus-imaginista.org/articles/4273/festive-and-theatrical
HOMAGE TO THE SQUARE SERIESÂ https://www.albersfoundation.org/art/highlights/study-for-homage-to-the-square-lone-light
JOAQUĂN BARRIENDOS: âJosef Albers and the Pre-Columbian Artisanâ, https://www.bauhaus-imaginista.org/articles/6263/josef-albers-and-the-pre-columbian-artisan
JEAN CHARLOT: âNature and the Art of Josef Albers,â College Art Journal 15, no. 3, Spring 1956, https://vault.jeancharlot.org/english-texts/1956%20Nat%20Art%20Albers.pdf
MEANDER WEAVINGS https://www.albersfoundation.org/art/highlights/red-meander | https://www.albersfoundation.org/art/highlights/black-white-gold-i
JEWELRY BY ANNI ALBERSÂ https://www.albersfoundation.org/tags/jewelry
BRENDA DANILOWITZ, "Working From Where We Are â Anni Albersâ and Alex Reedâs Jewelry Collection", https://www.bauhaus-imaginista.org/articles/3094/working-from-where-we-are
DIY: Washer and ribbon neon necklace tutorial http://maikonagao.blogspot.com/2013/04/diy-washer-and-ribbon-neon-necklace.html
STEN NADOLNY, "ULLSTEINROMAN" (2003):Â â https://www.ullstein.de/werke/ullsteinroman/taschenbuch/9783548269863â
COVER PHOTO: Josef and Anni Albers in Dessau, Germany, ca. 1925, Photographer unknown, Courtesy the Josef and Anni Albers Foundation