Directed by Jason Zada, The Forest is ostensibly the journey of a young woman who travels across the world to find her twin sister who has gone missing. But lurking beneath this benign narrative is a complicated web of PTSD, trauma, and grief. Situated in Aokigahara, a place in Japan known internationally as The Suicide Forest, the film borrows liberally from Japanese mythology but should it? In this episode, the Horror Homeroom crew considers The Forest’s place within the natural horror canon and debates the impact of cultural appropriation within the genre.