This week we bring in guest Sheila Coursey, Assistant Professor of English at Saint Louis University who works on late medieval and early modern theater and narratives of crime, to talk to us about how she uses Arden of Faversham to engage students in conversations about contemporary true crime narratives. We rabbit hole (just a little) into which early modern married couples ever get to be alone together on stage (hint: it’s NOT the Ardens), investigate what’s with all the white girls and their tears?, and try to delineate what constitutes a “true crime” or “domestic tragedy” story. It’s not as -ahem- clean cut as you might think (see what we did there?)