Ari Aster is back—and this time, he’s brought the paranoia home. In his latest film Eddington, Aster trades Swedish forests and haunted attics for dusty New Mexico landscapes and pandemic-era breakdowns. Set in a fictional town unraveling under misinformation and digital overload, Eddington is a slow-burn thriller with massive emotional weight. I had the chance … Continue reading Ari Aster on Eddington, Tech-Paranoia, and Filming in New Mexico →