During the pandemic I don’t seem to know what day it is. My regular work has become so entirely irregular that the foundation upon which my full catastrophe—as Zorba the Greek would call it—once balanced now rests upon a teeter totter whose lead-based paint flakes off its dried out 2x6 and creaks on rusty hinges in a wind which is very strong today.

Dried out maple leaves fly by my window on unseasonably warm gusts, 35-40 knots out of the Southwest. This is no sultry Nat King Cole Autumn Leaves kind of wind, ‘C'est une chanson Qui nous ressemble’ but a blaster that makes all the apples drop. 

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