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“There was a magazine called Famous Monsters of Filmland that they used to sell at a 7-Eleven near my family’s house. And one day, I looked in the back of it, and there was a photo of them putting a man into the Godzilla suit. And I went, ‘Oh, wow, it’s a suit. Somebody makes this stuff,’” saysThe Umbrella Academy visual effects supervisor and Emmy nominee Everett Burrell. “And that was totally the rocket ship in my brain to want to do this.” In a conversation with moderator Rob Legato, ASC, VES, Burrell discusses the inspirations for The Umbrella Academy and why he wanted to become a VFX artist in the first place. This episode, sponsored by Netflix, was recorded at the American Society of Cinematographers Clubhouse in Los Angeles on Aug. 7.
By TheAnkler.com5
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“There was a magazine called Famous Monsters of Filmland that they used to sell at a 7-Eleven near my family’s house. And one day, I looked in the back of it, and there was a photo of them putting a man into the Godzilla suit. And I went, ‘Oh, wow, it’s a suit. Somebody makes this stuff,’” saysThe Umbrella Academy visual effects supervisor and Emmy nominee Everett Burrell. “And that was totally the rocket ship in my brain to want to do this.” In a conversation with moderator Rob Legato, ASC, VES, Burrell discusses the inspirations for The Umbrella Academy and why he wanted to become a VFX artist in the first place. This episode, sponsored by Netflix, was recorded at the American Society of Cinematographers Clubhouse in Los Angeles on Aug. 7.