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Art Histories
By Art History Graduate Students
Art Histories episodes
- The Non-Objectifying Voyeurism in John Sloan’s "The Cot"UC Davis art history graduate student Alexandra Rea-Baum offers a new view on American artist John Sloan through the analysis of his non-objectifying gaze seen in "The Cot," a painting included in the Ash Can's exhibit at the MacBeth Gallery, NYC, in 1907.29 min
- The 21st Century Tiller Girls of YouTube in Natalie Bookchin's Mass OrnamentKristina Schlosser presents a section from her thesis on new media and the expanding role of the internet for the 2010 MA orals. She focuses on contemporary video artists Natalie Bookchin and examines her work, "Mass Ornament," and the implications of the individual worker/dancer silently connected by the Internet.37 min
- Paul Morrisey's "Flesh": Seeing through the Eyes of Warhol's AmericaMelanie Ross explores how Paul Morrissey's film "Flesh," used the visual vocabulary of Andy Warhol to advocate for conservative morals and foreshadowed a shifting attitude of public values. Morrissey changed Warholʼs filmmaking techniques from a self-reflexive avant-guard mode to a commercial approach. The film was released in1968, the cataclysmic year of the counterculture rebellion.28 min
About Art Histories
From the publisher's feed
graduate students in the UC Davis Masters in Art History give thesis presentations on a variety of topics ranging from Any Warhol and Chicano mural artists to ancient Greek sculpture.