Degas was enamored with the world of ballet, recording all aspects of backstage activities. In selecting novice Marie van Goethem as his model, Degas violated accepted artistic practices of portraying prima ballerinas in performance settings. The candid pose of a common (ordinary) dancer, adorned with a real hair ribbon and fabric tutu created public outrage - some calling her an ape-like affront to society. But Degas was clearly pioneering modern sculpture with his progressive creation. It's an art treasure of Nebraska at Joslyn Art Museum.

For more information about "Art Treasures of Nebraska," visit http://www.netnebraska.org/extras/nat/.