Recent efforts to localize classic Japanese manga have struck a comfortable balance between entertainment and education, especially imports of underground cult classics from the 1960s through the mid 1970s originating in the magazine Garo. The originators of the term ‘gekiga’, or manga designed for more mature audiences, we’ve seen a huge influx of freshly translated work from the likes of Shigeru Mizuki, Yoshiharu Tsuge, Saito Nazuna, Yamada Murasaki and others.