<p>How does Artificial Intelligence affect art and cultural institutions? Richard and Clarissa talk to Emily Gould, Assistant Director of the Institute of Art and Law, to discuss the use of creative works for training generative AI; who owns rights to AI produced works; and the use of AI in art attribution. They try their hands at AI-produced art themselves, with slightly worrying results.</p>

How does Artificial Intelligence affect art and cultural institutions? Richard and Clarissa talk to Emily Gould, Assistant Director of the Institute of Art and Law, to discuss the use of creative works for training generative AI; who owns rights to AI produced works; and the use of AI in art attribution. They try their hands at AI-produced art themselves, with slightly worrying results.

Artificial Intelligence and Art

Art, heritage and the odd bit of law. Richard Harwood KC, barrister of 39 Essex Chambers and Clarissa Levi, Art & Heritage Counsel at Wedlake Bell LLP discuss challenges and successes in the heritage and art world with guests from across the sector. For professionals, owners and the general listener, Clarissa and Richard ask: what is going on? what can be done? what are the stories behind the buildings, treasures and the cases?

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Visual Arts

Art, heritage and the odd bit of law. Richard Harwood KC, barrister of 39 Essex Chambers and Clarissa Levi, Art &amp; Heritage Counsel at Wedlake Bell LLP discuss challenges and successes in the heritage and art world with guests from across the sector. For professionals, owners and the general listener, Clarissa and Richard ask: what is going on? what can be done? what are the stories behind the buildings, treasures and the cases?

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Artificial Intelligence and Art

Artificial Intelligence and Art