
Sign up to save your podcasts
Or
Jon Burgerman
Time Stamps
[1:01 – 3:41] Jon was introduced to NFTs in 2019-2020 when he was approached by Nifty Gateway (founded by Griffin Cock Foster and Duncan Cock Foster and later acquired by Gemini run by Tyler Winklevoss and Cameron Winklevoss) to drop NFTs on the then new platform. He began working on NFTs in the spring of 2020. The first drop sold out quickly. Jon credits this with giving him a lifeline in the pandemic when everything else was being cancelled and closing down.
[4:40 – 6:34] Jon doesn’t know why Nifty Gateway contacted him early on, but says they saw his work in other forms, and imagined it would work on their platform. Jon has a traditional background, but his work has existed across different mediums over the years, including digital stickers and wearables for @PlayStation Home.
[7:35 – 10:26] Jon says his career is like a pizza with each slice it’s own medium (painting, books, etc) but as a whole it’s complete. His advice is to make your work and put it out there. Once you make something, people see your concept and how your work would look. People are looking for good work and good artists - it’s important to make your work discoverable.
[10:45 – 12:36] When working in different mediums, Jon leans into what that medium can do that others can’t. With NFTs he likes that you can interact with people, build up collections and have drops. The goal of the work is the same, just different outlets for creativity that are distributed in different mediums.
[13:45 – 15:12] Jon is still adapting to the community aspect of NFTs. It’s a time investment to keep up with the social aspect of the NFT community using channels like Twitter and Discord. This is a different skill set and a different kind of art will emerge from it.
[15:28 – 16:17] Collectors of Jon’s NFTs are different from collectors of physical works. In 2020 early adopters were buying NFTs, but there is still skepticism and a long way to go for mainstream acceptance. Many of Jon’s physical collectors aren’t interested in NFTs.
[16:49 – 19:49] Jon discusses the blurred lines between collectors and artists with the engagement thru social...
5
22 ratings
Jon Burgerman
Time Stamps
[1:01 – 3:41] Jon was introduced to NFTs in 2019-2020 when he was approached by Nifty Gateway (founded by Griffin Cock Foster and Duncan Cock Foster and later acquired by Gemini run by Tyler Winklevoss and Cameron Winklevoss) to drop NFTs on the then new platform. He began working on NFTs in the spring of 2020. The first drop sold out quickly. Jon credits this with giving him a lifeline in the pandemic when everything else was being cancelled and closing down.
[4:40 – 6:34] Jon doesn’t know why Nifty Gateway contacted him early on, but says they saw his work in other forms, and imagined it would work on their platform. Jon has a traditional background, but his work has existed across different mediums over the years, including digital stickers and wearables for @PlayStation Home.
[7:35 – 10:26] Jon says his career is like a pizza with each slice it’s own medium (painting, books, etc) but as a whole it’s complete. His advice is to make your work and put it out there. Once you make something, people see your concept and how your work would look. People are looking for good work and good artists - it’s important to make your work discoverable.
[10:45 – 12:36] When working in different mediums, Jon leans into what that medium can do that others can’t. With NFTs he likes that you can interact with people, build up collections and have drops. The goal of the work is the same, just different outlets for creativity that are distributed in different mediums.
[13:45 – 15:12] Jon is still adapting to the community aspect of NFTs. It’s a time investment to keep up with the social aspect of the NFT community using channels like Twitter and Discord. This is a different skill set and a different kind of art will emerge from it.
[15:28 – 16:17] Collectors of Jon’s NFTs are different from collectors of physical works. In 2020 early adopters were buying NFTs, but there is still skepticism and a long way to go for mainstream acceptance. Many of Jon’s physical collectors aren’t interested in NFTs.
[16:49 – 19:49] Jon discusses the blurred lines between collectors and artists with the engagement thru social...