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Dalek’s website
Time Stamps
[0:55 – 2:41] Dalek was introduced to NFTs by his friend, @lurklovesyou, who told him about @hicetnunc2000 on @tezos. Lurk told him that it was easy, no gas, cheap to mint, and easy to put work out. Lurk set up a clubhouse Dalek joined with @mumbot and @_sampierson and other artists. Dalek liked the community aspect.
[3:01 – 9:29] Dalek got into anime and comic book culture going to high school in Japan. He was into punk rock and early hip hop such as RunDMC, @KurtisBlow1, @DJFlash4eva, SugarHill Gang. He moved to Chicago and got into graffiti in the early 90s. TD who ran Undercover Magazine and Kaws were big influences on Dalek. He moved to California and met and was mentored by Chris Cycle and Mike Giant, Greg Carroll. This was the era of Twist, Amaze, REVOK, @Saber. Kris Markovich convinced him to move to San Diego where he met @OBEYGIANT, the founder of Obey, who introduced him to printmaking and stickers, and taught him to use Illustrator. Dalek did group shows with @new_image_art curated by Rich Jacobs and included Mark Gonzales, @TempletonEd, Chris Johansen, and Barry McGee. He says he still didn’t know how to be a professional artist. He moved to New York to take a step toward becoming a professional studio artist. When he saw @takashipom’s paintings the first time, he knew that’s what he wanted to do. He reached out to Murakami and started working for him.
[11:45 – 13:54] Dalek says artists were interested in certain aspects of Japanese pop culture. Some artists like KAWS, Stash and Futura would go to Japan, but Dalek was more focused on being in New York and learning. He was spending time with Brian McGinnis, and @steveESPOpowers, and anyone he could. His experience with Marakami wasn’t so much about what he was painting, he was way more interested in the technical aspects.
[14:19 – 18:58] Dalek discusses his relationship with his
5
22 ratings
Dalek’s website
Time Stamps
[0:55 – 2:41] Dalek was introduced to NFTs by his friend, @lurklovesyou, who told him about @hicetnunc2000 on @tezos. Lurk told him that it was easy, no gas, cheap to mint, and easy to put work out. Lurk set up a clubhouse Dalek joined with @mumbot and @_sampierson and other artists. Dalek liked the community aspect.
[3:01 – 9:29] Dalek got into anime and comic book culture going to high school in Japan. He was into punk rock and early hip hop such as RunDMC, @KurtisBlow1, @DJFlash4eva, SugarHill Gang. He moved to Chicago and got into graffiti in the early 90s. TD who ran Undercover Magazine and Kaws were big influences on Dalek. He moved to California and met and was mentored by Chris Cycle and Mike Giant, Greg Carroll. This was the era of Twist, Amaze, REVOK, @Saber. Kris Markovich convinced him to move to San Diego where he met @OBEYGIANT, the founder of Obey, who introduced him to printmaking and stickers, and taught him to use Illustrator. Dalek did group shows with @new_image_art curated by Rich Jacobs and included Mark Gonzales, @TempletonEd, Chris Johansen, and Barry McGee. He says he still didn’t know how to be a professional artist. He moved to New York to take a step toward becoming a professional studio artist. When he saw @takashipom’s paintings the first time, he knew that’s what he wanted to do. He reached out to Murakami and started working for him.
[11:45 – 13:54] Dalek says artists were interested in certain aspects of Japanese pop culture. Some artists like KAWS, Stash and Futura would go to Japan, but Dalek was more focused on being in New York and learning. He was spending time with Brian McGinnis, and @steveESPOpowers, and anyone he could. His experience with Marakami wasn’t so much about what he was painting, he was way more interested in the technical aspects.
[14:19 – 18:58] Dalek discusses his relationship with his