This is an episode of the old podcast, called Artists on the Verge. I decided to keep these conversations up in the feed because they are, in fact, part of what led me to create Classically (Un)Trained. I have taken down all except the artist interviews - but you can check out an expanded archive here: https://classicallyuntrainedpodcast.com/former-podcast-archive/

Check out the current podcast here: https://classicallyuntrainedpodcast.com/

David (aka Dev) Devereux's story is one of carving out a space of freedom online. A full-time sound engineer by profession, Dev is the founder of Tin Can Audio, a Glasgow-based audio fiction company which has become home to all the strange sounds and stories Dev wants to make.

Community is important to Dev’s story – from the community of wonderful voice actors and creators around Tin Can Audio to the online community, which Dev has engaged in interesting ways by opening up the creative process to the public (for example by making an entire audio fiction drama, from script writing to sound editing, live on Twitch.)

Dev and I talk about the origins of and funny stories from the series made under Tin Can Audio, about the more unexpected inspirations for stories from video games to music to popular TV shows, the idea of demystifying the creative process and showing audiences how things are made, and about how much time goes into making something that’s actually good, among other things.

This episode features music from Dev’s audio fiction (The Tower and Middle:Bellow, respectively) as well as excerpts from the audio fictions Tin Can, Middle:Bellow, The Tower, The Dungeons Economic Model, and Anamnesis featuring the voices of (in order of appearance):

David Devereux

Charlotte Ryder

David Pellow

Katrina Allen

Mark Gallie

Roger Best

Links :

https://daviddevereux.carrd.co/

https://www.tincanaudio.co.uk/

💋👁👂🏼 Artists on the Verge website: https://onthevergetrilogy.com/