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Post-Fringe, the Arts Garden resets.
In Episode 10, we trace the threads of creativity across generations, forms, and philosophies, moving from Adelaide’s jazz lineage to the radical history of modernist art, and into the inner worlds of sound, voice, and meaning.
🎷 We’re joined in-studio by James Muller and Lyndon Gray of The Exhibits, ahead of their upcoming album launch. They reflect on collaboration, creative renewal, and building the next wave of jazz musicians through the Elder Conservatorium.
🎨 We revisit the legacy of Max Harris and the Angry Penguins movement with Samela Harris, exploring censorship, resistance, and the long arc of artistic defiance that still shapes Adelaide’s cultural identity today.
🎶 Spiritual author Alana Fairchild joins us to talk about music as regulation, voice as power, and how sound and ritual can help us navigate uncertainty in a rapidly shifting world.
🌏 Plus:
Mad March may end but the ecosystem doesn’t. What’s left is the deeper work: sustaining creativity, challenging systems, and finding meaning in the noise.
By James MurphySend us Fan Mail
Post-Fringe, the Arts Garden resets.
In Episode 10, we trace the threads of creativity across generations, forms, and philosophies, moving from Adelaide’s jazz lineage to the radical history of modernist art, and into the inner worlds of sound, voice, and meaning.
🎷 We’re joined in-studio by James Muller and Lyndon Gray of The Exhibits, ahead of their upcoming album launch. They reflect on collaboration, creative renewal, and building the next wave of jazz musicians through the Elder Conservatorium.
🎨 We revisit the legacy of Max Harris and the Angry Penguins movement with Samela Harris, exploring censorship, resistance, and the long arc of artistic defiance that still shapes Adelaide’s cultural identity today.
🎶 Spiritual author Alana Fairchild joins us to talk about music as regulation, voice as power, and how sound and ritual can help us navigate uncertainty in a rapidly shifting world.
🌏 Plus:
Mad March may end but the ecosystem doesn’t. What’s left is the deeper work: sustaining creativity, challenging systems, and finding meaning in the noise.