In which the delicate balance between the human and the fantastic in novels is examined through the lens of mythology and imagination, revealing the special demands fantasy places upon its readers and the varied forms it assumes—from the whimsical muddle of Tristram Shandy to the intricate parodies of modern works like Ulysses. The essay meanders through examples both old and new, gently invoking the spirits of fauns and gods to illuminate how fantasy, while elusive and sometimes contentious, offers a unique and beguiling beam of light across the familiar landscape of fiction.