The final episode of season two. 



We discuss some of my favorite passages from Nietzsche, concerning the feeling of liberation one has upon finally and fully accepting the Nietzschean affirmative philosophy, and what this means for our future. Nietzsche urges us not to interpret him as giving us a definitive way of life to follow, but furthermore does not wish us to seek for a state of finality, rest, or utopia. The great experience of noontide is the perception that one is truly halfway between animal and that which is super-human, and that transformation into something greater is possible: that we can overcome our previous limitations that we believed once were set in stone. The episode concludes with a thank you to the fans, a teaser of what is to come in the podcast, and a reading of Nietzsche's Aftersong for Beyond Good and Evil, "From High Mountains."



Episode art: Zoroaster Clavis -- Alchemist Who Has Achieved Illumination



48: At Noon

A podcast about Nietzsche's ideas, his influences, and those he influenced. Philosophy and cultural commentary through a Nietzschean lens. 

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The second part of a two-parter we began near the beginning of this season. The completion of our analysis of Ecce Homo. In this episode, we consider Nietzsche's reviews of his own books, and argue that it presents a creative narrative of Nietzsche's life: Nietzsche as a tragic figure. Nietzsche mythologizes himself and the circumstances of his great works, dabbling in exaggerations and lacunae - but nevertheless providing an invaluable interpretation the significance of his entire career, and commentary on the development of his thought. With Nietzsche's comments, we can construe his life's work into an early period, an affirmative period that begins with his middle works and culminates with Zarathustra, and a critical period that characterizes his later work.

94: Nietzsche Reviews His Own Books

The Twilight of Idols is described by Nietzsche as a work of leisure: a leap sideways, a bit of sunshine, a form of play rather than work. The laboriousness of 'notebook psychology', in which one strains and squints and spies on reality, could not be further from this natural discernment based on what one is given. In this episode, we explore exactly what Nietzsche means by this distinction. Once again, it is tied in with his differentiation between the artistic and the theoretic. Through Twilight of Idols, Nietzsche remarks on psychology and his approach to it, suggests that it is found in literature, and suggests that some men who claim to be psychologists are really just head cases. Join me as we consider these ideas at a leisurely pace. Episode art is Satan Resting on the Mountain by Gustave Dore.

93: The Idle Hours of a Psychologist

A deep dive into one of the most important passages in Twilight of Idols. We’ll explore Nietzsche’s critique of our erroneous habits of thought: mistaking the effect for the cause, false causality, creating imaginary causes, creating a doer of the deed, and free will. We explore Nietzsche’s explanation for how these errors take hold of our thought, the psychological need for these errors, and why they persist. Episode art is The Billiard’s Player by William Bastiaan Tholen

92: The Four Great Errors

Q&A #9

My friend Quinn and I discuss whether Deleuze is an accurate interpreter of Nietzsche. What are the faults of Deleuze's interpretation, and what are its merits? We discuss the eternal return, the anti-Hegelian attitude of Deleuze, ressentiment and bad conscience, and the Deleuzian understanding of will to power. More broadly, we discuss what it is that makes an interpretation correct, and how there are different mindsets behind the left and right interpretations of Nietzsche.

48: At Noon

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