✦ 0:30 - Atlanta's music scene is often associated with sold-out arenas, local small stages, or eclectic late-night venues. But hidden in corners of the city, another kind of music space is thriving, one powered by turntables, vintage speakers, and the warm crackle of vinyl. These are Atlanta's listening rooms, where music isn't just played; it's experienced. The rooms come in various flavors, shapes, and styles; almost all have opened within the last two years. City Lights Collective member Jacob Smulian has more.

✦ 11:24 - After three weeks of intensive workshops at Alliance Theatre's Palefsky Collision Project, twenty metro-Atlanta teens will showcase their original productions on July 25 and 26.  WABE arts reporter Summer Evans shares more.

✦ 13:23 - Atlanta Artist Jym Davis describes himself as a myth builder. And that's true. However, the creative, better known as "False Face," is also a sculptor, photographer, online content curator, and a five-time National Park artist-in-residence. Davis's primary medium is elaborate and otherworldly papier-mâché masks inspired by nature. The artist then wears the masks in natural settings and captures their essence using performative photography. The result is enchanting. City Lights Collective co-host Kim Drobes recently spoke with Davis to learn more about his practice and how he curates his incredibly successful and beautiful Instagram account.

✦ 28:19 - Stone Mountain stands over 800 feet tall, making it the largest exposed piece of granite in the world. While it offers incredible views of the Atlanta skyline, it has a dark history and was once a well-known meeting ground for intolerance and hate. Photographer Jean Shifrin hopes to change that narrative by showcasing the diverse range of people who make the mile-long trek up to its peak year-round, and she aims to reframe Stone Mountain as a place for unity and diversity. WABE arts reporter Summer Evans recently spoke with the photographer about her new book, "Rise Above: On Top of Stone Mountain."

✦ 42:10 - Through light and sound, the sensory manifestations of mathematics, quantum physics, and vast archives of raw data are dancing on the walls of the High Museum this summer. In an immersive exhibition, critics are praising as "awe-inspiring" and "visceral," leading Japanese artist and electronic composer Ryoji Ikeda invites us to experience "data-verse." City Lights Collective producer Josh Thane recently spoke with High curator Michael Rooks about Ryoji Ikeda's epic installations.

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