When the Emperor did not wake up even though roused by means of panegyrics sung by bards, accompanied by musical instruments played upon for the same purpose, the ladies of the gynaeceum conclude by other means that the king is dead; and soon after commences the loud wail of Kausalyā, Sumitrā and other queens.

When the Emperor did not wake up even though roused by means of panegyrics sung by bards, accompanied by musical instruments played upon for the same purpose, the ladies of the gynaeceum conclude by other means that the king is dead; and soon after commences the loud wail of Kausalyā, Sumitrā and other queens.

Ayodhyākānda - Canto 65

As part of our online Satsang (https://www.facebook.com/profile.php?id=61551067569493) we are reading the Gita Press English Translation, these episodes are recordings from those Satsangs. We were listening to another podcast reading this version that stopped at Aranyakānda Canto 40, thus we start with Canto 41 . After finishing the Yuddhakānda we started from the beginning of the Bālakānda.

We dedicate our humble effort to the Almighty Lord Śrī Rāma, who has sustained us throughout in His abundant grace and enabled us to continue this podcast.

Religion & Spirituality

Hinduism

As part of our online Satsang (https://www.facebook.com/profile.php?id=61551067569493) we are reading the Gita Press English Translation, these episodes are recordings from those Satsangs. We were listening to another podcast reading this version that stopped at Aranyakānda Canto 40, thus we start with Canto 41 . After finishing the Yuddhakānda we started from the beginning of the Bālakānda. We dedicate our humble effort to the Almighty Lord Śrī Rāma, who has sustained us throughout in His abundant grace and enabled us to continue this podcast.

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Ayodhyākānda - Canto 65

Ayodhyākānda - Canto 65