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This episode opens with the music of Antonio Vivaldi, from his opus 3 collection of violin concertos, L’estro armonico. Bach adapts this piece, for 4 solo violins, for 4 harpsichords, BWV 1065. I believe Bach arranged this, and likely other works by Vivaldi, not so much for learning as for a pragmatic desire to offer this popular Italian music to Leipzig audiences.
What provides difficulty in performing this piece to take full effect of a ‘4 person’ concerto is the stereo dynamics that helps us hear the dynamics among the 4 participants. As discussed, pulling the instruments apart makes performing together challenging, especially in acoustic spaces like churches or larger concert halls.
By John Hendron4
1616 ratings
This episode opens with the music of Antonio Vivaldi, from his opus 3 collection of violin concertos, L’estro armonico. Bach adapts this piece, for 4 solo violins, for 4 harpsichords, BWV 1065. I believe Bach arranged this, and likely other works by Vivaldi, not so much for learning as for a pragmatic desire to offer this popular Italian music to Leipzig audiences.
What provides difficulty in performing this piece to take full effect of a ‘4 person’ concerto is the stereo dynamics that helps us hear the dynamics among the 4 participants. As discussed, pulling the instruments apart makes performing together challenging, especially in acoustic spaces like churches or larger concert halls.