From blue flashing crime scenes to tense interrogations, the thirst for True Crime is insatiable. So how do content creators keep one of the longest running documentary genres fresh and exciting? How do US crime docs compare to the UK? And in a world when every move can be publicly scrutinised, how do you navigate press teams, consent and full open access from those trying to make our cities safe? A panel of filmmakers and commissioners from Sheffield Doc/Fest 2017 discuss making true crime documentary.

Supported By BAFTA